![]() ![]() ![]() Meanwhile, Broome, mortally wounded but still alive, asks Elsa for help. Unaware of what has happened, Michael proceeds with the night's arrangement and sees Grisby off on a motorboat before shooting a gun into the ground to draw attention to himself. Grisby shoots Broome and leaves him for dead. Broome has learned of Grisby's plan to murder Bannister, frame Michael, and escape by pretending to have also been murdered. On the night of the crime, Sydney Broome, a private investigator who has been following Elsa on her husband's orders, confronts Grisby. Welles as Michael O'Hara in The Lady from Shanghai (1947) Michael agrees, intending to use the money to run away with Elsa. He promises Michael $5,000 and explains that since he would not really be dead and since there would be no corpse, Michael could not be convicted of murder (reflecting corpus delicti laws at the time). They are joined on the boat by Bannister's partner, George Grisby, who proposes that Michael "murder" him in a plot to fake his own death. Michael, attracted to Elsa despite misgivings, agrees to sign on as an able seaman aboard Bannister's yacht. They are on their way to San Francisco via the Panama Canal. Michael reveals he is a seaman and learns Elsa and her husband, disabled criminal defense attorney Arthur Bannister, are newly arrived in New York City from Shanghai. ![]() Michael rescues Elsa and escorts her home. Irish sailor Michael O'Hara meets the beautiful blonde Elsa as she rides a horse-drawn coach in Central Park. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." Plot It is based on the novel If I Die Before I Wake by Sherwood King.Īlthough it initially received mixed reviews, it has grown in stature over the years, and many critics have praised its set designs and camerawork. With a dazzling performance by Hayworth, excellent black-and-white photography by Rudoph Mate, fine direction by Charles Vidor, and layers of psychological possibilities to ponder, "Gilda" is as golden as its title suggests.The Lady from Shanghai is a 1947 American film noir directed by Orson Welles (uncredited) and starring Welles, his estranged wife Rita Hayworth, and Everett Sloane. Macready's jealousy also grows as the heat between Ford and Hayworth intensifies, but, again, it is ambiguous of whom he is jealous. Perhaps Ford's character is as unsure of his own feelings as is the viewer, which makes the ambiguity even more intriguing. Ford's increasing jealousy becomes apparent after Hayworth's arrival on the scene, but it is unclear of whom he is jealous, Hayworth or Macready or possibly both. When Hayworth moves into Macready's home as his new wife, Ford returns the key to the house as though he were a jilted lover. After Ford begins to work for Macready, his devoted care and slavish attention to his boss's needs exceed the bounds of employee and employer. ![]() The lingering looks that they exchange can be read in several ways, but Bogie never looked into Cagney's eyes like Ford looks into Macready's. From the initial meeting between Ford as two-bit gambler Johnny Farrell and Macready as Ballin Mundson the casino owner, an ambiguous, possibly homo-erotic, attraction is established between the two men. Hayworth may either be the intruding wedge that comes between Glenn Ford and George Macready or the object of both men's romantic interests. Hayworth lurks a complex and ambiguous romantic triangle that provides more intrigue than the surface plot, which involves a gambling casino that is a front for shady operations that originated in a recently defeated, Fascist country. However, beyond the overtly heterosexual lures of Ms. From her initial hair-tossing scene to her near striptease while she sings "Put the Blame on Mame," Hayworth is captivating and more than convincing as the object of every man's desires. Rita Hayworth positively sizzles as Gilda in this film-noir classic. ![]()
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